The smell of decaying bodies is a tough one to forget. I’d seen dead bodies before, but not in the number that they littered the battle zones of Ivory Coast. My colleague Andrew advised me to breath through the mouth – easier said than done.

The town of Duekoue had just fallen into the hands of the troops backing the elected President of Ivory Coast Alassane Ouattara – a masscare followed. It’s hard to say exactly who killed who and why. All sides have been pointing fingers and no one can decide how many bodies have actually been found. I arrived with my team a few days after the event, the first foreign journalists to make it this far west, past the dozens of check points that line the road from Yamoussoukro. Luckily there was a big UN presence and as soon as we arrived in our beaten up Toyota 4×4 the Moroccan UN troops took us to see the bodies being collected for burial.

The dead were everywhere, covered in black plastic by the side of the road. I jumped out of the car and began to film. I worked on instinct, trying to not to think too much about what I was seeing. The sound of the bodies being loaded onto a flat bed truck seemed incredibly loud in the heavy, eerie silence. They were handed up from the ground and then slid across the metal floor before bumping to a standstill.

A Moroccan Officer reprimanded a group of Ouattara soldiers at a nearby check-point – “No more killing” he told them angrily. They looked sullen, denying any responsibility. I just kept filming, sucking the images into the camera, hoping that by documenting this I was somehow making a difference, telling a story that needed to be told.

That night the Moroccan troops allowed us to use there officers mess in the UN base as an edit suite and a place to sleep. They looked after us well, bringing us coffee, bread and even a plate of Arabic sweets. They were good guys, eager to help and not upset by us taking over the one place where they could come to watch the football and forget where they were.

This was my fourth trip to Ivory Coast in the space of a year. My first had been fun, a football film in the run up to the World Cup. But quickly things had deteriorated and the last few trips had all been to document the countries gradual journey towards war. Abidjan had been a terrifying place for foreign journalists since the incumbent President Laurent Gbagbo had refused to recognize his election defeat and in January my team were stopped and threatened with death at a particularly nasty check point.

In recent weeks the forces of Alassane Ouattara had swept through much of the country and had advanced deep into Abidjan itself. Just getting in to the country to cover the story had been a huge effort. We had flown to Bamako in Mali and driven for nineteen hours to get to Bouake, the capital of the northern portion of the country.

Filming Soldiers in Abidjan, April 2011
Filming Soldiers in Abidjan, April 2011

After filing our film on the massacre in Duekoue we headed towards the front line in Abidjan. The road towards the city was deserted, market stalls that would normally be sprinkled along the route, abandoned. Finally we came across the main staging point for Ouattaras soldiers at a Shell Garage in an area called Gesco. We found hundreds of fighters exhausted and sprawled in any shade they could find as they tried to sleep. We advanced further along the road, more bodies littered the route, rotting and covered in maggots. Civilians brave enough to venture out looking for food and water were so terrified they had they hands raised in surrender the whole time – even when being interviewed by my team.

That night the film that we made was the lead story on the BBC Ten o’clock News – we’d finally helped people notice this story and how important it was.

Abidjan was so dangerous that it was impossible to go any further into the city. In a deeply cynical move Laurent Gbagbo and his surviving die-head fighters had turned the city into a charnel house, a place of death, where everybody was a legitimate target. We tried to arrange a military convoy to take us to the Golf Hotel where President Ouattara had been based for months, protected by the UN. Thirty seconds after we left, we were forced to turn back when the fighters with us reported seeing wounded on the road and said it was to dangerous too proceed.

We spent five days on the edge of town filing stories. We stayed at a Bar/Guesthouse about twenty kilometers from the frontlines. It was basic, I shared a room with Correspondent Andrew Harding. The toilet stank, forcing me to hold my breath every time I went inside and the bed sheets were crawling with insects. But they cooked us an evening meal every night and had cold drinks – a welcome moral booster after filming in the sticky humidity of West Africa. Unfortunately one of my kit bags hadn’t arrived when we flew from Johannesburg to Bamako in Mali – it was the bag with my survival equipment. As the week wore on I missed not having a decent travel towel and sleeping bag and regretted the loss of my solar phone charger and water purification tablets.

Equipment was beginning to suffer from the heat and rough treatment. One of our BGAN’s stopped working, meaning we only had one to file both radio and TV. As I was filming one afternoon I noticed my lens was moving around in its mount. I kept tightening it with no improvement. Then the back focus started to slip substantially. In a panic I removed the lens and discovered that all the screws holding it together had worked there way loose and it was coming apart. I didn’t have time to fix it then and there and was forced to shoot one of our pieces on my Canon 5D Mark II. The picture quality of the 5D is fantastic but it was a relief when I was able to fix the lens with a screwdriver later that night. Returning to the ergonomics and ease of use I have with my Sony DSR 500.

Eventually on 12th April, Laurent Gbagbo was captured. We were in a town well north of Abidjan and were able to capture the amazing spontaneous celebrations. School children flooded into the street waving branches and singing while adults danced and pounded on car horns filling the town with a cacophony of noise. It was a brilliant ending to two challenging weeks. It’s been a hard time for Ivory Coast but I hope now things can slowly start to return to normal and that the healing can begin.

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So after five weeks away from the world of TV and journalism I finally returned to action with a frantic but excellent start to 2011. My first port of call was a steamy Abidjan in Ivory Coast. The city was on edge after Laurent Gbagbo refused to step down as President despite losing the election. The president elect, Alassane Outtara, was holed up in a five star hotel on the edge of town and we set off by road to interview him. As you will see from the finished film we made it, but had a had a scare at an Army roadblock. . .

Ivory Coast Roadblock from Christian Parkinson on Vimeo.

With the story in Ivory Coast on hold while International delegations tried to help, the team and I flew across Africa to Juba in South Sudan. It was a landmark moment as the people voted in a referendum which will decide wether South Sudan secedes from the mainly Muslim north. I love South Sudan and the people and I hope that this film we made captures the spirit and excitement. . .

Sudan Referendum 2011 from Christian Parkinson on Vimeo.

PS. . . I also got to meet George Clooney – he seemed a friendly, witty and well informed guy.

The team and I with George Clooney

The team and I with George Clooney

teenagers performing at the Asec Mimosa Academy, Abidjan

teenagers performing at the Asec Mimosa Academy, Abidjan

The humidity was unbearable and the sun beat on the top of my head like Rio carnival drums. I couldn’t believe that these young kids could play football at such a blistering pace in these conditions. The teenagers at the Asec Mimosa Academy are some of the most gifted and hard working footballers in Africa. The Academy has been described as the “Crown jewell of African football” and offers players not just coaching but also an education.

We were here to make a film about football in Ivory Coast. With their appearance at the 2010 World Cup imminent and Ivorian Striker Didier Drogba claiming the English Premier League Golden Boot it seemed the perfect time to visit. I’d never heard of Mimosas before but they are one of the top Club sides in Africa and have been supplying talent to European leagues for a long time. Former players include Saloman kalou, Emmanuel Eboue and brothers Yaya and Kolo Toure.

Mimosa Academy training, taken using hipstamatic on my i-phone

Mimosa Academy training, taken using hipstamatic on my i-phone

So what is the secret of their success? Well, there are many. Firstly it is well funded by local investors and its sponsor, Sifca – one of West Africa’s biggest agro-businesses. This funding allows excellent facilities including two well kept pitches, a fully functioning school and a dorms for the kids to stay in. They also have a busy team of scouts who scour Ivory Coast looking for potential.

The problem though, and this goes for all of Africa, is keeping hold of their talented youngsters. Nearly all of their National squad play in Europe and all of the young players aspire to move abroad at the first opportunity. There is still little money to be made in local African leagues, the average first division player in Ivory Coast earns just two hundred and thirty Euros a month. Attendances are tiny, even big games struggle to achieve a crowd bigger than a few hundred. These problems mean it is unlikely that in the near future an African team will be strong enough to win the World Cup, but they are developing quickly and from what I saw at Mimosas the next generation promise to keep pushing the boundaries of what the continent can achieve.

As the training came to an end I filmed as the kids removed their boots and began a series of drills using a tennis ball. Amazingly they were able to perform keep-ups without dropping it. They then did a co-ordination routine that involved a series of complicated dance steps. I couldn’t imagine English players being able to maintain a straight face while clapping and dancing but to the Ivorians it is an important aspect of their skills training. It seemed to be working.

For our finished film on the BBC then check out this link. . .

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